CASE STUDY 01 // PRIVATE RESIDENCE // PRIVATE COMMISSION // NEARLY ONE METRE LONG
CASE STUDY 01

THE FLORAL TABLE CENTREPIECE

18kt Gold · Sterling Silver · Hand-Carved Quartz · Aged Thai Teak · 24kt Gold Leaf
A one-off centrepiece for a private residence, nearly one metre long. An aged Thai teak root forms the base for a garden of precious-metal flowers, dragonflies and butterflies. Every element, from the yellow sapphire dragonflies to the gold-leaf bowl, was developed and prototyped in Bangkok before it was made in metal.
Aged Thai teak root forming the base of the floral table centrepiece, Epilogue atelier Bangkok
THE TEAK ROOT
Sculpting flora elements by hand in wax for the floral table centrepiece, Epilogue atelier Bangkok
SCULPTING THE FLORA
Wood bowl lined in 24kt gold leaf in a traditional Thai checkerboard pattern, floral table centrepiece, Epilogue
THE GOLD-LEAF BOWL
Dragonfly detail on the floral table centrepiece, yellow sapphire pavé set in black rhodium prongs, Epilogue atelier Bangkok
DRAGONFLIES: GOLDSMITHING & SETTING
Sterling silver leaves with fire and acid patina for the floral table centrepiece, Epilogue atelier Bangkok
SILVER LEAVES: FIRE PATINA
Hand-carved quartz lily flowers for the floral table centrepiece, Epilogue atelier Bangkok
HAND-CARVED QUARTZ LILIES
01
SELECTING THE BASE
The base is a single root of aged Thai teak, hundreds of years old. The removable bowl is finished in high-gloss black piano lacquer, a deliberate contrast with the raw wood.
02
SCULPTING BY HAND
Each butterfly and dragonfly was sculpted by hand, with recesses for enamel and stones. The quartz lilies were prototyped in wax first, so they would sit exactly against the natural curves of the teak.
03
THE SILVER LEAVES
The sterling silver leaves were treated with fire and acids to create a shifting, kaleidoscopic patina.
04
GOLDSMITHING & SILVERSMITHING
Silver and 18kt gold elements were made by hand, polished and reinforced so the quartz and metal could be joined securely.
05
GOLD LEAF
The inside of the bowl is lined in 24kt gold leaf, laid by hand in a traditional Thai checkerboard pattern that changes with the light.
06
CARVING & SETTING
The quartz flowers were specially cut, and yellow sapphires matched and set by our master setters. The dragonflies' backs are graduated yellow sapphire pavé, held in black rhodium-plated prongs for depth.
07
ENAMEL & PLATING
Colours were developed through electroplating and hand-applied enamel, with silver plating and 18kt gold accents creating tonal variation across the flowers.
THE BRIEF
Client: interior architects for a private residence. Starting point: an aged teak root and a floral concept. Goal: a statement centrepiece, nearly a metre long, bringing together natural wood and fine jewellery techniques.
HOW IT WAS MADE
Design, 3D modelling, wax sculpting and sourcing were done in our Bangkok atelier. Specialist lacquer and enamel work was carried out by trusted partners, with our senior team overseeing every stage.
MADE IN OUR BANGKOK ATELIER // SENIOR OVERSIGHT AT EVERY STAGE
START A PROJECT

Every commission begins with a conversation.

Whether it is a single sculptural object or a complex multi-piece commission, our senior team will review your brief under NDA and propose how best to make it.
START A PROJECT
Every enquiry reviewed by our senior team within 48 hours.
CASE STUDY 02 // FINE JEWELLERY // PRIVATE COMMISSION // ONE OF A KIND
CASE STUDY 02

SCORPION ARM CUFF

18kt Gold · Graduated Blue Sapphire · Diamond Pavé · Fully Hand-Sculpted
A wearable sculpture: an arm cuff in the form of a scorpion, cast in solid 18kt gold and covered in thousands of hand-set graduated blue sapphires and diamonds. No CAD was used. Every curve, claw and joint was sculpted by hand, from the first mark to the final setting.
Hand sculpting the scorpion arm cuff master form in wax, Epilogue atelier Bangkok
Hand sculpting the master form
Silicone mould taken from the hand-sculpted scorpion master form, Epilogue atelier Bangkok
Silicone mould
Scorpion arm cuff cast in 18kt gold at the goldsmithing stage, Epilogue atelier Bangkok
Cast in 18kt gold
Custom hinges for the scorpion arm cuff, Epilogue atelier Bangkok
Custom hinges
Goldsmithing and finishing
Pavé setting of graduated blue sapphires and diamonds on the scorpion arm cuff, Epilogue atelier Bangkok
Pavé setting: blue sapphire and diamond
01
HAND SCULPTING
The entire form, including body, legs, claws and tail, was sculpted by hand in wax. No CAD was used.
02
SILICONE MOULD
A silicone mould was taken from the hand-sculpted master, capturing every surface detail.
03
CASTING IN 18KT GOLD
Lost-wax cast in solid 18kt gold, keeping every detail of the original sculpture.
04
CUSTOM HINGES
Hand-made hinges let the cuff open, close and follow the shape of the wrist, so it is comfortable to wear without compromising the form.
05
GOLDSMITHING & FINISHING
Extensive finishing and reinforcement, then thousands of individual stone seats prepared by hand.
06
STONE SELECTION
Graduated blue sapphires and diamonds sourced individually and matched for tone, saturation and cut across the whole piece.
07
PAVÉ SETTING
Thousands of stones hand-set across the entire surface, each one secured, aligned and finished by a master setter.
Sculpted by hand. Set by hand. No CAD at any stage.
Scorpion Arm Cuff, Private Commission

THE BRIEF

Client: a fine jewellery client. Commission: a one-of-a-kind arm cuff with no existing design to work from. Goal: a wearable sculpture, formed by hand, cast in gold and fully pavé-set in graduated blue sapphire and diamond.

WHAT MAKES IT UNIQUE

No CAD was used at any stage. The piece went directly from concept to hand-sculpted form to cast gold, which demands real mastery at every step. The setting alone meant thousands of individual stones, each checked against the graduated colour plan.
MADE IN OUR BANGKOK ATELIER // ENTIRELY HAND-SCULPTED